Auto-Destructive Art
Auto-destructive art, coined by Gustav Metzger in the 1960s, describes radical artworks where destruction is an integral part of the creation process.
Auto-Destructive Art (ADA), deeply influenced by World War II, emerged as a response to the widespread devastation and loss caused by the conflict. Unlike World War I, this war introduced new elements like aircraft and nuclear weapons, which inspired artists to explore novel techniques involving corrosion, stress, and heat. ADA aimed to represent the war's impact and casualties, prompting artists to approach societal issues differently. To delve into these matters within an industrialised society, Metzger encouraged collaboration between artists, scientists, and engineers.
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Your questions, answered
We collaborate with artists to create both limited editions and works on paper.
A limited edition is part of a unique series of pieces. Limited editions are fixed in quantity, meaning we will only ever produce a certain number.
Framing options vary for each piece and are listed on the individual artwork pages. All pieces are framed with 90% UV acrylic glass.
Yes, 100%. We work directly with our artists to create editions that accurately represent their body of work. Additionally, every artist personally reviews and approves their final editions.
Each edition comes with a numbered Certificate of Authenticity (COA) signed by the artist. Additionally every edition will be signed, marked, or numbered on the edition itself.
Works on paper and some originals don't come with a COA.
No—the copyright is not transferred to the purchaser of the edition.
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